“Some of the Fine Arts appeal to the ear, others to the eye. The latter are the Arts of Design, and they are usually named as three—Architecture, Sculpture and Painting. A man who practices one of these in any of its branches is an artist; other men who work with forms and colors are at the best but artisans. This is the popular belief. But in fact there is a fourth art which has a right to be rated with the others, which is as fine as the finest, and which demands as much of its professors in the way of creative power and executive skill as the most difficult. This is the art whose purpose it is to create beautiful compositions upon the surface of the ground.
The mere statement of its purpose is sufficient to establish its rank. It is the effort to produce organic beauty—to compose a beautiful whole with a number of related parts—which makes a man an artist; neither the production of a merely useful organism nor of a single beautiful detail suffices. A clearly told story or a single beautiful word is not a work of art—only a story told in beautifully connected words. A solidly and conveniently built house, if it is nothing more, is not a work of architecture, nor is an isolated stone, however lovely in shape and surface. A delightful tint, a graceful line, does not make a picture; and though the painter may reproduce ugly models he must put some kind of beauty into the reproduction if it is to be esteemed above any other manufactured article—if not beauty of form, then beauty of color or of meaning or at least of execution. Similarly, when a man disposes the surface of the soil with an eye to crops alone he is an agriculturist; when he grows plants for their beauty as isolated objects he is a horticulturist; but when he disposes ground and plants together to produce organic beauty of effect, he is an artist with the best.”
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Retrieved from: Various. Garden and Forest Weekly, Volume 1 No. 1, February 29, 1888. Page 2- Landscape Gardening: A definition.
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